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07189nam^^22007933a^4500 |
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LSMD000142_00001 |
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20161208105741.0 |
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m^^^^^o^^^^^^^^^^^ |
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cr^^n^---ma^mp |
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161111n^^^^^^^^xx^^^^^^s^^^^^^^^^^^swa^d |
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|a MS 205000 |2 SOAS manuscript number |
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7 |
|a MS 205000e |2 SOAS manuscript number |
| 040 |
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|a UkLSOA |c UkLSOA |
| 245 |
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|a Liongo na Manga, and Other songs (MS 205000e) |h [electronic resource]. |
| 260 |
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|c circa 1939 AD (circa 1358 A.H.). |
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|a Hichens Collection : Liongo the Spearlord. |
| 500 |
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|a Biographical information: Liyongo Fumo is a mythical Swahili poet and hero, and it is tought that he composed many oral songs and poems narrating about his life time, which is around the 12th and 13th century. For more information on Liyongo, see the field ‘relevant publication’. |
| 500 |
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|a Date of Composition is unknown |
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|a Languages: Swahili (Roman script) |
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|a Dialects: KiAmu |
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|a Poetic Form: Shairi - nyimbo (wimbo [singular], a song form of verse) |
| 500 |
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|a Extent: 43 leaves |
| 500 |
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|a Incipit: The Takhmisa or quinzaine recension of the famous Dungeon Song, sung by Liongo at the gungu-dance when he made his escape from Shagga’s goal, |
| 500 |
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|a Donated by Dr J. Knappert, 3 July 1968 |
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|a See SOAS University of London manuscripts MS 210013, MS 53492, MS 53493 |
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|a VIAF (name authority) : Hichens, William, -1944 : URI http://viaf.org/viaf/250560982 |
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|a VIAF (name authority) : Liongo Fumo : URI http://viaf.org/viaf/225493124 |
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|a Africa -- Eastern Africa -- Kenya -- Lamu County -- Shanga -- Shanga Ruins -- Pate Island |
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|a Africa -- Eastern Africa -- Kenya -- Lamu County -- Lamu -- Lamu Island |
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|a Africa -- Eastern Africa -- Tanzania -- Manyara Region -- Siu District |
| 500 |
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|a Africa -- Eastern Africa -- Kenya -- Lamu County -- Pate -- Pate Island |
| 500 |
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|a Publication information: Muhammad bin Abu Bakr Kijumwa. 196-?. Utenzi wa Fumo Liongo. Dar es Salaam: East African Swahili Committee. |
| 500 |
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|a Publication information: Mbele, Joseph L. 1986. The Liongo Fumo epic and the scholars. Kiswahili 53 (1-2): 128-145. |
| 500 |
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|a Publication information: Werner, Alice. 1928. The Swahili saga of Liyongo Fumo. Bulletin of the School of Oriental and African Studies 4: 247-255. |
| 500 |
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|a Publication information: Knappert, Jan. 1987. Four Centuries of Swahili Verse. Heinemann Educational Books Ltd, London. pp. 66-101 |
| 500 |
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|a Publication information: Knappert, Jan. 1983. Epic Poetry in Swahili and Other African Languages. Ch 6. E.J. Brill, Leiden. pp.142-168 |
| 500 |
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|a Publication information: Knappert, J. 1967. Swahili Songs. Afrika und Ubersee, 50:163-172. |
| 500 |
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|a Publication information: Knappert, Jan. 1975. Swahili proverbs and songs. Afrika und Ubersee, 59:105-112. |
| 500 |
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|a Publication information: Knappert, Jan. 1972. Gungu song in the Gunya dialect. Afrika und Ubersee, 56:185-200 |
| 506 |
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|a This item may be in the public domain. Its status has yet to be assessed. |
| 520 |
3 |
|a This section of the manuscript contains a takhmisi, upon the dungeon song, sung by Liyongo at the gungu-dance, entitled ‘Mashairi ya Liyongo Fumo’ by Sayyid Abdallah bin Ali bin Nasir. It also contains a series of songs attributed to Liyongo, among which we analysed the famous poem ‘Liyongo na Mmanga’, with adapted translation. The takhmisi, that is a poem, or mashairi, with five lines in each stanza, was written by Sayyid Abdalla bin Ali bin Nassir some time towards the end of the 18th century or the beginning of the 19th century, given that the author lived between 1720-1820 AD. The poem, of 26 stanzas, uses the tradition of the Liongo dungeon songs, sung by Liyongo when he escaped from the gaol (jail) . According to Hichens, the song was probably originally much longer than the one preserved by Sayyid Abdalla. In brief, the poem urges people not to accept humiliation from oppressors, and to be strong and proud. You should be humble with your friends, but tough with your enemies. The shairi, with 4 lines in each stanza, entitled ‘Liongo na Mmanga’ is an old poem of 50 stanzas that celebrates Liyongo’s wife after their wedding. Liyongo evokes her physical features and celebrates the beauty of creation. The word’ Mmanga’ is also used to refer generally to a woman of Arabian or Asian origins, as well as beign used metaphorically for a place in Arabia or Asia. The same poem is to be found in MS 380548c, and MS 380526a. The cataloguers noted the following points in some of the stanzas. In Stanza 2, Kipande4, the word ‘ndofu’ should be ‘ndovu’. This could be a typing mistake. In Stanza 4, Kipande 2, the word ‘banati’ is wrongly translated as ‘daughters’, probably taken from the Arabic ‘bin’; the proper translation is ‘women of noble status’. In Stanza 5, Kipande 3, the word ‘jema’ should be ‘njema’. In Stanza 6, Kipande 3, the verb ‘yatupwe’ should be ‘yatupe’, meaning ‘allow us to tell…’, rather than ‘to throw violently. In Stanza 7, Kipande 1, the sentence ‘tuwakifu yasiwe marefu’ had been wrongly translated as ‘we arrange the verses’ rather that the proper ‘let’s finish with this long introduction’. In Stanza 9, the poem starts to describe the head, which is round, but the translation does not recall this passage. In the following Stanzas, it describes, in order, the ears (10), the eyebrows (12), the eyes (14), the nose (15), the cheeks (17) . In Stanza 18, the description of the lips should have been rendered ‘miyomo membamba’ rather that ‘miyomo mwembamba’. Furthermore, in kipande 2, ‘isipo’ should be ‘asipo’, and in Kipande 3, ‘atakapo kamba’ should be ‘atakapo kwamba’. Stanzas 19 to 38 describe the rest of her body parts. Stanzas 39 to 47 form an elaborate methaphor in which intimacy with the bride is described in terms of a boat at sea. Muhammed Kijumwa did a drawing representing this metaphor, which can be found in MS 380548c. This section concludes with a series of short songs attributed to Liyongo, such as ‘Utumbuizi wa Mwana Mnazi’ (Serenade to the Lady of the Palm); ‘The Song of the Lotus Tree’; ‘The maid of the Garden’; ‘The Song of Marriage’; ‘The Aggrieved Wife’; ‘Gungu la Kukwaa’; ‘The Dum-Palm’; ‘The Song of Poverty’ |
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|a Electronic reproduction. |b London : |c SOAS University of London, |c Archives and Special Collections, |d 2016. |f (SOAS Digital Collections) |n Mode of access: World Wide Web. |n System requirements: Internet connectivity; Web browser software. |
| 535 |
1 |
|a Archives and Special Collections. |
| 650 |
0 |
|a Oral history. |
| 650 |
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|a Oral literature. |
| 650 |
0 |
|a Swahili poetry. |
| 650 |
0 |
|a Legends. |
| 650 |
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|a Kiswahili mashairi. |
| 650 |
0 |
|a Oral tradition in literature. |
| 650 |
7 |
|a Liongo Fumo. |2 DNB |
| 650 |
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|a Fumo Liyongo. |
| 655 |
7 |
|a Songs |2 LCTGM |
| 655 |
4 |
|a Shairi. |
| 655 |
4 |
|a Wimbo. |
| 655 |
4 |
|a Shayari. |
| 655 |
4 |
|a Nyimbo. |
| 700 |
1 |
|a Hichens, William, -1944, |e author, primary. |
| 700 |
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|a Liongo Fumo. |4 ctb |
| 752 |
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|a Kenya |b Lamu County |d Shanga |g Shanga Ruins |g Pate Island. |
| 830 |
0 |
|a SOAS Digital Collections. |
| 830 |
0 |
|a African Collections. |
| 830 |
0 |
|a Swahili Manuscripts Collections. |
| 830 |
0 |
|a Kenya Collection. |
| 830 |
0 |
|a Bantu Collections. |
| 830 |
0 |
|a William Hichens Collection. |
| 852 |
|
|a GBR |b SDC |c African Collections |
| 856 |
40 |
|u http://digital.soas.ac.uk/LSMD000142/00001 |y Electronic Resource |
| 992 |
04 |
|a http://digital.soas.ac.uk/content/LS/MD/00/01/42/00001/00_likelyPUBLICdomainthm.jpg |
| 997 |
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|a African Collections |
The record above was auto-generated from the METS file.
