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005        20161208095515.0
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007        cr^^n^---ma^mp
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024 7    |a MS 279888-Vol.2 |2 SOAS manuscript number
024 7    |a MS 307 |2 SOAS manuscript number
040        |a UkLSOA |c UkLSOA
245 00 |a Utenzi wa Vita vya Badr, Utenzi wa Andharuna, Utenzi wa Maisha ya Fatuma (MS 307) |h [electronic resource].
260        |c [n.d.].
490        |a Allen Collection : Photographic enlargments of M1008 (Swahili and Arabic manuscripts).
500        |a Date of Composition is unknown
500        |a Languages: Swahili (Arabic script)
500        |a Dialects: Northern
500        |a Poetic Form: Utenzi
500        |a Donated to SOAS in 1982
500        |a Extent: 150 leaves
500        |a Incipit: Bismillahi rahmani rahim wabii nastarin
500        |a For Utendi wa Andharuna see the same in SOAS University of London manuscript MS 305/1 (Allen)
500        |a Other copy: SOAS University of London microfilm: M1008, reels 10
500        |a Asia -- Arabian Peninsula -- Saudi Arabia -- Al Madinah Province -- Badr Hunayn
500        |a Asia -- Arabian Peninsula -- Saudi Arabia -- Al Madinah Province -- Badr Governate -- Badr battlefield
500        |a Publication information: Allen, JWT. 1971. Tendi: Six examples of a classical verse form with translation and notes. Heinemann Ltd, London. Part 1.
500        |a Publication information: Topan, F. 2001. Projecting Islam: narrative in Swahili poetry. in Journal of African Cultural Studies, 14, 1, pp.107-119.
500        |a Publication information: Knappert, J. 1971. Swahili Islamic Poetry. E.J. Brill, Leiden
506        |a This item may be in the public domain. Its status has yet to be assessed.
520 3    |a This section numbered 307 of MS 279888-Vol.2 contains three religious Tendi, long poems, in the form of epic religious narrative. The first Utendi is ‘Utendi wa Vita vya Badr’ and it starts at page 202 and goes back to end at page 92, opens with a Sura of the Koran in Arabic, and then continues in Swahili by praising God, the Prophet Mohammed, and his followers, Abu Bakr, Omar, Othman, Ali (referred as Simba wa Mungu i.e. Lion of God). Fatuma (also referred as Batuli), the daughter of the Prophet is also praised, and she is the one that will plead for women on judgement day, and her children Hassan and Hussein are symbolically called the fruits of paradise. Jibril, the messenger of God, appears, in all three Tenzi, in front of the Prophet Mohammed to advice him on what best action to take against the enemies of Islam. The poem begins with an historical account of the War of Badr (Vita vya Badr) at the time of the Prophet, one of the first Jihad (Islamic wars). Badr is a place in Hijaz where Mecca and Medina are also located. This account can also be found in the Koran. The full story was originally told by Mohammed bin Is-haq bin Mohammed, of whom the author of this Utendi gives the full genealogy as the story of Badr was transmitted orally through generations. The author links the story to the Aya (verse) of the Koran that says that Muslims are permitted by God to fight back their enemies because they had been oppressed for long time. The epic narrative of this religious poem is very detailed and typical of traditional Swahili religious poetry. Each line makes a stanza made of four vipande ending in ‘na’, which makes a linear rhyming system. The written style is refined and the description of events and context is described in great details, typical of classical religious poems. In many instances the poem contains passages from the Koran as part of the narration The title is not mentioned at the beginning of the poem, nor is the author, and the poem is not complete. The second Utendi of this section, ‘Utendi wa Andharuna’, has a linear rhyming system (kina) ending in ‘zi’. As a reference to the reader, the MS starts at page 91 and goes back to end at page 74, but it does not start from the beginning of the poem, it is therefore incomplete. The poem narrates of the battle between Muslims and Andharuna, the leader of the non-Muslim. Jibril, God’s messenger comes to the Prophet to advice him. Andharuna is so powerful because of his hirizi (this word makes the rhyming throughout the poem), an amulet for protection and good luck. According to the poet of this poem, hirizi is a very powerful tool to be used against enemies, as well as to achieve general well being. For instance, in the poem Abu Bakr was sick and was cured by hirizi. A more complete version of this poem is to be found in MS 305/1 (Allen), as this present version does not start from the beginning. The author gives the date of the poem as 1075AH-1665AD, and the scribe that we suppose is also Mwana Marabu binti Shehe Bwana Lipa [?], gives the date of scribing the poem as 1355AH-1936AD The third is the ‘Utendi wa Maisha ya Fatuma’ [this title has been given by the cataloguers as there was no written title in the text] starts at page 74, and in the first stanza the author asks for his written tools, and in the second stanza the author praise God and the Prophet Mohammed. These two opening stanzas are typical of classical poetry. This poem focuses on the life of Fatuma, the daughter of the Prophet. It narrates of the life of Ali and how he was chosen to be Fatuma’s husband. All Tenzi are written in refined northern dialect, and the reading of the Arabic script is quite clear and linear. This MS can also be found as microfilm, SOAS University of London microfilm: M1008 reels 10.
533        |a Electronic reproduction. |b London : |c SOAS University of London, |c Archives and Special Collections, |d 2016. |f (SOAS Digital Collections) |n Mode of access: World Wide Web. |n System requirements: Internet connectivity; Web browser software.
535 1    |a Archives and Special Collections.
650    0 |a Swahili poetry.
650    0 |a Islam.
650        |a Religious belief.
650    0 |a Islam -- History.
650        |a Imani za kidini.
650        |a Uislamu.
650        |a Kiswahili mashairi.
650    0 |a Faith.
650    0 |a Gabriel (Archangel).
650        |a Jibril.
650    7 |a Muḥammad, Prophet, -642. |2 LCNA
650        |a Prophet Mohammed.
650        |a Andharuna.
655    4 |a Poem.
655    4 |a Utenzi.
655    7 |a Poetry |2 LCTGM
700        |a [s.n.]. |4 cre
752        |a Saudi Arabia |b Al Madinah Province |d Badr Hunayn.
830    0 |a SOAS Digital Collections.
830    0 |a African Collections.
830    0 |a Swahili Manuscripts Collections.
830    0 |a Saudi Arabia Collection at SOAS, University of London.
830    0 |a Bantu Collections.
830    0 |a John W. T. Allen Collection.
852        |a GBR |b SDC |c African Collections
856 40 |u http://digital.soas.ac.uk/LSMD000033/00001 |y Electronic Resource
992 04 |a http://digital.soas.ac.uk/content/LS/MD/00/00/33/00001/00_likelyPUBLICdomainthm.jpg
997        |a African Collections


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