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|a UkLSOA |c UkLSOA |
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|a MS 380749a : Kiokozi cha Banati. |
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|a Kiokozi cha Banati |h [electronic resource]. |
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|c [n.d.]. |
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|a 15 leaves |
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|a First lines of manuscript: Bismillahi nakutubu, Wakupa pasi hisabu, Mwema na mwenyi aibu, Kwa jamii ya watu piya |
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|a Relevant Dialect: Kiamu |
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|a Script: Roman script |
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|a [cc by-nc] This item is licensed with the Creative Commons Attribution Non-Commercial License. This license lets others remix, tweak, and build upon this work non-commercially, as long as they credit the author and license their new creations under the identical terms. |
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|a In this poem the author instructs Muslim women on the doctrine and practice of their religion. The first five stanzas are devoted to thanks and praise. Stanzas six through 14 discuss the importance of being educated in the requirements of Islam. Stanzas 15 through 23, which may remind the reader of portions of the utenzi of Mwana Kupona, discuss the importance of obeying one's husband and of covering oneself in public. The poet then names the five pillars of Islam (stanzas 24-26) and the six pillars of faith (27-29), discussing each of the former (30-36) and then the latter (37-46). After this he discusses the nature of God (47-50); the 25 prophets (51-67); the seven categories of action in Islam (68-75); the wives of the Prophet Mohammed -- although this list is partial (76-89); the children of the Prophet (90-94); cleanliness as required by Islamic law (95-111); ritual purity (112-142); how to pray (143-180); the procedure for burial (181-187); the period during which marriage is forbidden after the death of a husband (188-198); the period during which marriage is forbidden after a divorce (199-208). The poem concludes with a prayer, with the poet identifying himself in the final stanza as a resident of Lamu and a member of the Al-Bakaria family. The manuscript contains a variety of errors. Peculiarities of spelling and word division sometimes make the poet's meaning obscure. Arabic words, for example, are often wrongly divided, so that 'nataka lamu' must be read a 'natakalamu' and 'taka mali' as 'takamali.' 'Ib'adhwi' in stanza 172 should read 'Ab'adhwi.' In stanza 95 the final half-line is missing, while he number 154 is assigned to two successive stanzas. In stanza 110 the poet names Sheikh Al-Amin (bin Ali Al-Mazrui, of Mombasa) as a source of instruction. |
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|a Electronic reproduction. |b London : |c SOAS University of London, |c SOAS, University of London, |c Archives and Special Collections, |d 2014. |f (SOAS Digital Collections) |n Mode of access: World Wide Web. |n System requirements: Internet connectivity; Web browser software. |
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|a This manuscript was formerly part of MS 380526 |
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|a Archives and Special Collections. |
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|a Jan Knappert, in an introduction to the 1964 publication of 'Kisa cha Miiraji' (see MS 380747), writes that Mohamed Jambein Al-Bakry lived for some time in Mombasa, 'probably at the beginning' of the 20th century. Mohamed Jambein was also the author of 'Mashairi ya Faraidhwi' (see MS 380748) and the Maulid contained in MS 380759. In the present MS, the poet identifies himself as a resident of Lamu |
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|a Islam. |
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|a Religious belief. |
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|a Religious practice. |
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|a Women's education. |
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|a Swahili poetry. |
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|a Elimu ya wanawake. |
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|a Uislamu. |
650 |
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|a Mazoezi ya kidini. |
650 |
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|a Imani za kidini. |
650 |
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|a Kiswahili mashairi. |
655 |
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|a Poetry (Utenzi). |
655 |
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|a Utenzi (poetic form). |
720 |
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|a Jambein Al-Bakry, Mohamed, Sheikh, |e author, primary. |4 aut_prim |
830 |
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|a SOAS Digital Collections. |
830 |
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|a Literatures. |
830 |
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|a African Collections. |
830 |
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|a Swahili Manuscripts Collections. |
830 |
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|a Kenya Collection. |
830 |
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|a Bantu Collections. |
830 |
0 |
|a Jan Knappert Collection. |
852 |
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|a GBR |b SDC |c Literatures |
856 |
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|u http://digital.soas.ac.uk/AA00000018/00001 |y Electronic Resource |
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|a http://digital.soas.ac.uk/content/AA/00/00/00/18/00001/00001thm.jpg |
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|a Literatures |
The record above was auto-generated from the METS file.