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Page iii
“...111.
CONTENTS.
i.—THE FAUNA OF MADAGASCAR AND THE MASCARENE
ISLANDS. By Alfred Russel Wallace, Esq., LL.D.
(Reprinted by the kind permission of the Author and Pub-
lishers from '' The Geographical Distribution of A nimals. "J * 129
2.—THE MALAGASY GAME OF 'FANORONA.' By Rev. W.
Montgomery, L.M.S..................................... 148
3.—MALAGASY ROOTS : their Classification and Mutual
Relations. By Rev. W. E. Cousins, L.M.S. 157
4. —ON THE POETRY OF MADAGASCAR. By (the late) Rev.
E. Baker, L.M.S. ................................. 167
5.—ON THE TRADE AND COMMERCE OF MADAGASCAR.
By W. Clayton Picicersgill, Esq., H.B.M.'s Vice-Consul 177
6.—THE IDEAS OF THE MALAGASY WITH REGARD TO
DESTINY. By Mr. H. E. Clark, F.F.M.A.............. 185
7.—MALAGASY HYMNOLOGY, and its Connection with
Christian Life in Madagascar. By Rev. J. Sibree,
L.M.S......................................... 187
8.—SOME THOUGHTS ON CHURCH MUSIC IN MADAGAS-
CAR. By Rev. A. M. Hewlett, M.A., S.P.G.................”
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Page iv
“...
15.—A NEW MALAGASY GRAMMAR. By Rev. W. E. Cousins. 244
16.—BIAZAVOLA: A Malagasy Bard. By W. Clayton Pick-
ersgill, Esq. 247
17.—VARIETIES : The Pirates in Madagascar—Geological
Jottings —The Proto-Martyr of Madagascar — The
Etymology of 'Antananarivo' and 'Andriamanitra' 250
18.—LITERARY NOTES .... 252
19.—BRIEF SUMMARY OF IMPORTANT EVENTS IN MADA-
GASCAR DURING 1886 257
20.—NATURAL HISTORY NOTES 259
21.—RAINFALL OF ANTANANARIVO FOR THE YEAR 1886 260
ILLUSTRATION.
Diagrams of the 'Fanorona' Game.
%* The Editors do not hold themselves responsible for every opinion
expressed by those who contribute to the pages of the Annual, but only
for the general character of the articles as a whole....”
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Page 148
“...low,
young and old. Almost everywhere in the houses of the people,
except the very poorest, you may find the fanorona board,
though very often it is only the back of the akalana (chopping
block) or of the sahafa (wooden winnowing platter). But play-
ing out of doors seems most attractive to the younger Malagasy,
and they can extemporise a board, or a substitute for a board,
anywhere. On the wooden sheds in the market-places, on the
tiled paving around the school-houses and college buildings, on
the stones around the open elevations where the Judges sit, on
the paved way outside the Palace, on the roadsides where the
palanquin bearers congregate, at the stone-gate entrances into
the villages, on the flat rocks of the hillsides, on which the little
slave children sun themselves while tending their masters'
sheep or cattle—everywhere you may find the signs and tokens
of the fanorona players.
The most respectable students in the L. M. S. College will
frequently employ the few minutes' interval...”
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Page 149
“...149 THE MALAGASY GAME OF 'FANORONA.*
accord to watch and criticize the wavering fortunes of a chance
game that was being fought out on the wayside. Some of
the older andrlandahy (chiefs) and senior officers of the palace
are reputed to be the best players in the country. The vener-
able old princess who died two years ago at Amb6hij6ky, and
\ who in her girlhood, about fourscore years ago, was one of 'the
twelve wives' of King Andrianarnpoinimerina, had been in her
time a famous player at the fanorona. There are still alive in
' Antananarivo several old people who remember very well the
coronation of Rad&ma I., in the year 1810, and the great
gathering on that occasion in the plain of Imahamasina. All
the various tribes and orders of the people were that day ranged
around the King after the pattern of the various sides and
diagonals and intersections of the fanorona ! In one of Rada-
ma's campaigns in the southern parts of the island, a B6tsil&o
king, whom he was besieging, had perched...”
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Page 150
“...a glance that the 32
squares of the fanorona are precisely similar to those on the
half of an ordinary folding draught-board or chess-board. The
moving and capturing power of the pieces is not unlike that of
the draughtsmen; every piece is of identical power and value,
just as in draughts ; and the number of pieces employed on each
side in the earlier and simpler form of the fanorona was just
twelve, the same as employed on each side in draughts. Now,
if I do not mistake, the game of draughts was introduced into
England or Scotland from Egypt, two or three centuries ago.
It seemed therefore possible enough that the Malagasy fanorona
was originally a variety of the draughts game; that both games
* Still a recognized division of the inhabitants of Imarina. They are descendants of dark and
non-Hova tribes captured in former wars, but are now free people.—Eds,...”
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Page 151
“...151 THE MALAGASY GAME OF 'FANORONA.*
were invented by the Egyptians or Arabs; and that, just as
English sailors or travellers carried the one game to Britain,
the Arab sailors and traders may have brought the other game
to Madagascar. Now, however, after considering the apparent-
ly unvarying character of the native tradition as to its local
origin, and the undoubted facts that the fanorona lines have
been repeatedly used in arranging the various clans and orders
of the people around the sovereign on the great festival days at
Imahamasina—these and some other circumstances dispose me
to believe that the game is of Malagasy origin, and probably
arose in some such way as stated in the traditionary account
which I have roughly given above.
Before proceeding to describe particularly the method of
playing the fanorona, there is another little story about Andrian-
tompokoindrindra which is too good to be left untold. The King
his father, who reigned, I believe, at Ambohidrabiby, happened
to...”
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Page 152
“...THE MALAGASY GAME OF 'FANORONA.*
four movable pieces are required for the game— twenty-two on
each side. With the Malagasy these are usually little pebbles
and potsherds, or beans and berries. We, however, will call
them the Black and the White pieces. The two players sit op-
posite each other, having the long sides of t\ie fanorona adjacent
to them. The pieces are then arranged on the corners or
angle-points, not on the squares, as in chess or draughts.
There are five of these long lines on the board, each containing,
of course, nine angle-points, and the pieces are thus arranged :—
Black : First Line I.... 9
Second ,, 1....9
White: Fourth „ 1....9
Fifth „ 1 ...9
The third, or central line, is occupied by the eight remaining
pieces, placed alternately thus :—
Black 1,3,6,8
White 2,4,7,9
One point remains unoccupied, the central angle-point of the
board, the fifth of the third line. This represents the royal
seat in the public gatherings, but in the fanorona game it is
called the...”
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Page 153
“...153 THE MALAGASY GAME OF 'FANORONA.*
If, however, a vacant position occurs in their line, or another
hostile piece is among them, then only the piece or pieces near-
est the assailant are captured.
Thirdly. The pieces of the enemy may be captured by a
retreat as well as by an advance. A piece that has been stand-
ing in an adjoining station to some piece or pieces of the enemy
may capture it or them by retreating one point along that line,
if such point happens to be vacant. The limitation defined im-
mediately above applies in this case also.
Fourthly. At the beginning of a game one move only is
permitted to the first side. After that side has moved once, any
piece that is moved is permitted to run amuck in the enemy's
lines, and to go on as long as he finds foes to capture, provided
(a) that he does not return immediately to any point he has
just left, and (b) that he does not take a foe behind him imme-
diately after taking one in front of him, nor one on his right
hand immediately...”
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Page 154
“...154 THE MALAGASY GAME OF 'FANORONA.*
These moves are not given as examples of what the Malagasy
would consider good play, but simply to show the modus ope-
randi of the game.
The game subjoined may be considered an average specimen
of native skill.
FANORONA GAME.
i.
2.
White.
D s to C 5 takes B 5, A 5.
I:
9-
10.
11.
12.
13-
14.
15-
16.
17-
18.
19.
20.
21.
22.
23-
24.
25-
26.
27.
28.
29.
E 8 „ D 8
3- D7
4. c4
c 6
Cs
b4
B7
d9
b 6
d 8
d7
r9
C4
b 8
d 6
b 6
C5
D 7
C7
C 6
C7
B 8
C 8
C9
C 8
C9
C7
b 8
b 7
C5
d 6
C 7
b 6
C 6
C5-
b4.
c4
b 6.
d 8.
AS-
D7.
d 6.
b 8.
C3
C7.
b 6.
D7.
Cs
b4
c4
c7.
C 6.
c7.
b 8.
C 8.
C9.
C 8.
Cg.
D9.
C 8, B 8, A 8.
B7. A7;
a9;
B 9-
C3;
b4, a3 ;
E5;
as;
a 6.
1.
2.
b 6
C 6
Black.
to A s takes C 7, D 8, E 9.
A 4.
c 2.
d4.
A3-
A 4.
3- E6
b 6
C7
D 6
DS
E 5
E 6
E5
5-
6.
7'
8.
9-
10.
11.
12.
i3-
14.
&
i7-
18.
19.
20.
21.
22.
23-
24.
25.
26.
27.
28.
29.
d 2
b 2
C 1
E 2
A 2
b 2
A 1
d 2
Ci
B3
E3
A 2
D3
b...”
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Page 155
“...155 THE MALAGASY GAME OF 'FANORONA.*
one of the players have been defeated, however, he is not
allowed to play on the same footing as before, for the game
must be altered in a kind of mocking condescension to his
weakness. The new form of the game is called the Vela ; the
one who has conquered is the mpamftihlnam-bela (he who allows
to graze at large); the defeated is homam-bela (a poor sheep
not to be molested for a while in his pasture ground). The
vela game is opened by the victor, who puts forward such of
his pieces as he chooses to surrender to his antagonist. These
pieces may only be taken singly, and the generous conqueror
refrains from taking any of his enemy's pieces, until he has
parted with, one by one, 17 of his own pieces ; then, with the
remaining five, he begins his campaign against the undiminish-
ed forces of his antagonist. If he be a skilful player, however,
he has managed meanwhile to occupy the fortress positions of
the game ; and the hosts of the enemy are probably...”
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Page 156
“...156 THE MALAGASY GAME OF 'FANORONA.*
White.
'" to B s takes B 6.
„ B6 „ a 6.
17. Now begins Black's attack.
16. a 9 to A 8.
Black.
B 8 to A 7 takes C g ;
18. d9 „ c9 b 2.
c 8 „ B8
,, JJ o ,, JJ O,
„ C7 „ D6;
nft Eg;
.. C 9;
» CS;
,. E6.
19. B 6 „ A 6 „ C 6.
20. A6 „ A7 ,, A8.
. B7 „ Bb " Bs'.
.. B 6 „ C5 „ A 7 ;
,, C4 ,, C3 :
„ D4 „ E4;
» C3 „ B 2 ;
„ D 2 „ E 1 ;
,, C 1 „ E3 ;
„ B 1 „ D 1 ;
» B 2 „ B3.
21. d3 „ c3.
22. C3 „ D4 ,, B 2*
23. E 2 ,, D 2.
11
21. A i-,, A 2.
22. A 2 „ A 3.
23. A 3 „ B3.
24. D 2 ,, C 1 and wins.
I would just say, in conclusion, that although the fanorona is
still very popular with the people, and their interest in the
game not at all likely to decay, yet probably it will not in
future years be so largely practised as it is now. Life is grow-
ing every year more serious for the Malagasy. The felt neces-
sities for education are filling up more and more the lives of the
young people. Competitions are becoming more eager, and
the burdens...”
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Page 156a
“...1 . j*2 3
6*7 8 9
No, I.-THE FAN0R0N4 BOARD.
Tke.LebUi's audi Figwts lwel will be a. hty to the, descriptions.
ju/en ux, the- cu-ticU.
BLACK
WHITE
No.2.-FANORONA BOARD WITH PIECES,
as arranged ctt conv-riuic&nmJ; of Gam,i,...”
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