|
- Permanent Link:
- https://digital.soas.ac.uk/LOAA005851/00001
Notes
- Abstract:
- Both the style of production and the subject-matter of ‘Company’ albums were adapted to European taste and included representations of flora and fauna, local communities, monuments, festivals, deities and craft industries. Over half this set have figures thought familiar to European travellers and residents in southern India: a bird-seller, ironsmith, stonecutter, coppersmith, basket-maker or religious mendicant. These are joined by livelier scenes of marriage and funeral ceremonies, and a series of Hindu, Muslim and Catholic festivals and processions. Two scenes with known buildings in Pondicherry suggest that the original owner was French (Text by Crispin Branfoot, from the exhibition catalogue: Objects of instruction : treasures of the School of Oriental and African Studies, Anna Contadini, Editor. London : SOAS, University of London, 2007.) ( en )
- General Note:
- The British Library notes: "The pictures made by Indian artists for the British in India are called Company paintings. This one shows the climax of the charak pûjâ. This is a Bengali festival of penance, in which groups of men and women spend a month fasting from sunrise to sunset and living only on fruit. On the day of the charak itself, people construct bamboo stages on top of poles, at a height ranging from three to five metres. The devotees step up on to the high bamboo stage and, with ropes attached to them, hurl themselves forward."
- General Note:
- Folio 30 of CMWL MS 500
Record Information
- Source Institution:
- SOAS, University of London
- Holding Location:
- Archives and Special Collections
- Rights Management:
- This item is licensed with the Creative Commons Attribution Non-Commercial No Derivative License. This license allows others to download this work and share them with others as long as they mention the author and link back to the author, but they can’t change them in any way or use them commercially.
- Resource Identifier:
- CMWL MS 500 ( soas manuscript number )
|
|