LDR   02773nrm^^22003853a^4500
001        LOAA005816_00001
005        20180314135453.0
006        m^^^^^o^^^^^^^^^^^
007        cr^^n^---ma^mp
008        150504n^^^^^^^^xx^nnn^^^^^^^^o^^^^neng^d
040        |a UkLSOA |c UkLSOA
245 00 |a Stitch in time |h [electronic resource].
260        |c 1995.
490        |a Objects of instruction : treasures of SOAS.
500        |a Chan Aye is also known as U Chan Aye
500        |a The 'Objects of instruction : the treasures of SOAS' exhibition was funded through a generous gift from the Foyle Foundation and with the support of the Arts & Humanities Research Council.
500        |a Source: A. Contadini (ed.), Objects of instruction : treasures of the School of Oriental and African Studies. London : SOAS, University of London, 2007. Listed as item number: 34
500        |a Permission to Distribute were kindly provided by the Artist, Chan Aye.
500        |a On permanent loan from the Britain-Burma Society.
506        |a Copyright 1995, Chan Aye. All rights reserved. Used here with permission of the artist. Fair use, as defined by copyright legislation, are allowed. All other uses are strictly controlled.
520 3    |a The tapestry, A Stitch in Time, designed by U Chan Aye, was produced in Mandalay in 1995 for a planned exhibition at the Victoria and Albert Museum. The scenes depict women in various roles: at the top a figure offers flowers to the Buddha, with further frames recalling marital fidelity and bliss in the kinnari and kinnara, a royal couple and child with wet-nurse, a woman spinning, and six poses copied from Apyo-daw taya or ‘One hundred royal maidens’, a nineteenth century manuscript. This type of tapestry, known as shwe-chi-hto (gold-thread embroidery) is sometimes called a kalaga. These, however, were larger pieces, such as a curtain to go across a room in the palace or monastery, or a cover to drape over the coffin of a revered monk. (Text by John T. Carpenter and Yoshiko Yasumura, from the exhibition catalogue: Objects of instruction : treasures of the School of Oriental and African Studies, Anna Contadini, Editor. London : SOAS, University of London, 2007.)
533        |a Electronic reproduction. |b London : |c SOAS University of London, |c SOAS, University of London, |c Brunei Gallery, |d 2015. |f (SOAS Digital Collections) |n Mode of access: World Wide Web. |n System requirements: Internet connectivity; Web browser software.
535 1    |a Brunei Gallery.
650    0 |a Women.
650    0 |a Tapestry.
662        |a Myanmar.
700        |a Chan Aye. |4 cre
830    0 |a SOAS Digital Collections.
830    0 |a Artefacts from SOAS Collections.
830    0 |a South East Asia.
830    0 |a Burma/Myanmar Collection at SOAS, University of London.
852        |a GBR |b SDC |c Artefacts from SOAS Collections
856 40 |u http://digital.soas.ac.uk/LOAA005816/00001 |y Electronic Resource
992 04 |a http://digital.soas.ac.uk/content/LO/AA/00/58/16/00001/00001thm.jpg
997        |a Artefacts from SOAS Collections


The record above was auto-generated from the METS file.