LDR   03829nrm^^22005653a^4500
001        LOAA005750_00001
005        20201103155002.0
006        m^^^^^o^^^^^^^^^^^
007        cr^^n^---ma^mp
008        150504n^^^^^^^^xx^nnn^^^^^^^^o^^^^neng^d
024 7    |a 1969.12 |2 pdf item number
024 7    |a SOASAW 2010.0213.01 |2 Brunei Gallery reference number
024 7    |a 70 |2 Treasures of SOAS
040        |a UkLSOA |c UkLSOA
242    0 |a To'rt bargli gullar bilan uchta plitka |y Uzbek.
242    0 |a Dört yapraklı çiçeklerle üç çini |y Turkish.
242    0 |a Üç kafel, dörd yarpaqlı çiçəklərlə |y Azeri.
242    0 |a سه کاشی ، با گلهای چهار برگ |y Persian.
245 00 |a Three tiles with four petalled flowers |h [electronic resource] |y English.
246 3    |i Alternate title: |a Three tiles, stone-paste, overglaze painted in the cuerda seca technique, with gold leaf |y English.
260        |c [late 15th century].
490        |a Objects of instruction : treasures of SOAS.
500        |a The 'Objects of instruction : the treasures of SOAS' exhibition was funded through a generous gift from the Foyle Foundation and with the support of the Arts & Humanities Research Council.
500        |a Source: A. Contadini (ed.), Objects of instruction : treasures of the School of Oriental and African Studies. London : SOAS, University of London, 2007. Listed as item number: 70
500        |a Condition: Good [slightly chipped]
506        |a [cc by-nc-sa] This item is licensed with the Creative Commons Attribution Non-Commercial Share Alike License. This license lets others remix, tweak, and build upon this work non-commercially, as long as they credit the author and license their new creations under the identical terms.
520 2    |a A four-petalled flower accented with gold leaf, surrounded by white circular arabesques, is visible in the centre of each tile, and a turquoise flourish behind the flower completes the design. Tiles such as these were used to decorate the exterior of brick buildings. The Spanish term cuerda seca (‘dry cord’) refers to the technique developed in the second half of the fourteenth century in Central Asia to keep colours from running and mixing during firing. They were separated by a greasy substance composed of manganese that evaporated during firing but left a residual dark line. Some of the earliest examples have been found in Samarkand, from the 1370s. Cuerda seca tiles with this same central four-petalled flower motif have been found at the Madrasa al-Ghiyåthiyya at Khargird (Khorasan, Iran), built between 1442-6. In the 15th century Persian potters from Tabriz introduced the technique into Turkey, but within the Ottoman Empire cuerda seca tilework fell out of fashion in the 1550s. (Text by Mehreen Razvi, from the exhibition catalogue: Objects of instruction : treasures of the School of Oriental and African Studies, Anna Contadini, Editor. London : SOAS, University of London, 2007.)
533        |a Electronic reproduction. |b London : |c SOAS University of London, |c SOAS, University of London, |c Brunei Gallery, |d 2015. |f (SOAS Digital Collections) |n Mode of access: World Wide Web. |n System requirements: Internet connectivity; Web browser software.
535        |a Probably Samarkand, 15th century
535 1    |a Brunei Gallery.
541        |a Unknown [acquired in 1969?]
650    0 |a Islamic tiles.
650    0 |a Tiles.
650        |a بلاط (مادة بناء).
650        |a کاشی.
650        |a البلاط الإسلامية.
650        |a کاشی اسلامی.
650        |a آسیا -- ایران -- سمرقند -- سمرقند.
650        |a Osiyo -- O'zbekiston -- Samarqand -- Samarqand.
650        |a Asya -- Özbekistan -- Semerkand -- Semerkand.
650        |a Asiya -- Özbəkistan -- Səmərqənd -- Səmərqənd.
662        |a Uzbekistan |b Samarqand |d Samarqand.
830    0 |a SOAS Digital Collections.
830    0 |a Artefacts from SOAS Collections.
830    0 |a Middle East.
830    0 |a Iran Collection at SOAS, University of London.
852        |a GBR |b SDC |c Artefacts from SOAS Collections
856 40 |u https://digital.soas.ac.uk/LOAA005750/00001 |y Electronic Resource
992 04 |a http://digital.soas.ac.uk/content/LO/AA/00/57/50/00001/00001thm.jpg
997        |a Artefacts from SOAS Collections


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