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- Permanent Link:
- http://digital.soas.ac.uk/LOAA005725/00001
Notes
- Abstract:
- From Cubism on, African artefacts have inspired developments in modern art, yet modern African artists have had to come to terms with Western orthodoxies imported along with Western political domination. Reactions have differed: in Nigeria the Natural Synthesis movement produced oil paintings drawing upon indigenous traditions, instigating a new nation-building art; in East Africa artists were encouraged to develop a form of modernism drawing upon local visual practices; and in South Africa artists looked to cosmopolitan modernisms, rejecting ethnicity as a cultural resource to avoid its complicities with apartheid. -- An earlier form of artistic production also affected by wide-ranging cultural contacts is the illuminated manuscript tradition of North Eastern Africa. Exhibited here are Christian G ( z manuscripts from Ethiopia flanked by examples showing the cultural role of Arabic, on the one hand appearing alongside Coptic in the Christian north, and on the other supplying texts translated into Swahili along the Muslim eastern coast. ( en )
- General Note:
- The 'Objects of instruction : the treasures of SOAS' exhibition was funded through a generous gift from the Foyle Foundation and with the support of the Arts & Humanities Research Council.
- General Note:
- The 'Objects of instruction : the treasures of SOAS' exhibition ran from 11 October 2007 through 2 September 2013.
- General Note:
- This video has display resolution limited to 426 x 240. Display at full screen size may result in distortions.
- General Note:
- VIAF (name authority) : Brunei Gallery : 151452134
Record Information
- Source Institution:
- SOAS, University of London
- Holding Location:
- Brunei Gallery
- Rights Management:
- All applicable rights reserved by the source institution and holding location.
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