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“...m SOAS X University of London ------100 Years- The Michael Palin Scholar and Dr Alan Entwistle Digitisation Project 2016-17...”
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“...Joseph Pearson Wood Michael Palin Scholar 2016-17 MA Intensive South Asian Studies The choice of university that I would apply to for my undergraduate degree was always obvious. I've known about SOAS since early 2009 after visiting to attend a public lecture with my brother on the colonial impact of land policy in India. Being fifteen years old at the time and just about to start my GCSEs, most of the lecture was completely alien to me and to say I was confused would be a huge understatement! I was however, intrigued nonetheless. It was this intrigue, both for the university itself and also for India as an academic subject that sustained me through both my GCSEs and A- Levels. Having grown up in Solihull, just outside of Birmingham, I was surrounded by many different diaspora communities, and my interest in South Asianotably Pakistanstems from hearing the many different languages and observing many different cultures from a young age. Applying to SOAS therefore seemed like a no-...”
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“...late Alan W. Entwistie (1949-1996) was one such student. The majority of these photographs of Braj were taken by Alan Entwistie as he led an IAVRI effort to survey the region. Others were taken by the SOAS PhD student David Crawford, Gerry Losty of the British Library, and Paul Fox, the SOAS photographer. The digitisation programme uses these images and the descriptions Entwistie wrote of each image, updated with searchable Hindi and geographic data. Entwistie went on to build a career as a scholar and teacher of Hindi language and literature and Indian civilisation at the universities of Groningen and Washington (Seattle). His principal publication is Braj: Land of Krishna Pilgrimage (Groningen: Egbert Foster, 1987). Entwistle's collection sits alongside an expanding digital archive at SOAS. These efforts are part of a broader initiative to make the research collections of previous generations readily available to a global audience, and, crucially, available to people in the regions where...”