No.	Title	Date
1	19th century painting of the mahārāsa in the possession of Shah Gaursharan Gupta of Śāhjī temple
2	19th century painting of the mahārāsa in the possession of Shah Gaursharan Gupta of Śāhjī temple
3	Abhiṣeka at Rādhāramaṇ temple : the deity is bathed in large quantities of milk honey, curd (dahī), clarified butter (ghī) and sugar (śakkar) - a mixture called pañcāmṛta
4	Abhiṣeka at Rādhāramaṇ temple : the deity is bathed in large quantities of milk honey, curd (dahī), clarified butter (ghī) and sugar (śakkar) - a mixture called pañcāmṛta
5	Abhiṣeka at Rādhāramaṇ temple : the deity is bathed in large quantities of milk honey, curd (dahī), clarified butter (ghī) and sugar (śakkar) - a mixture called pañcāmṛta
6	Abhiṣeka at Rādhāramaṇ temple : the deity is bathed in large quantities of milk honey, curd (dahī), clarified butter (ghī) and sugar (śakkar) - a mixture called pañcāmṛta
7	Abhiṣeka at Rādhāramaṇ temple : the deity is bathed in large quantities of milk honey, curd (dahī), clarified butter (ghī) and sugar (śakkar) - a mixture called pañcāmṛta
8	Advaitya Charan Goswami with manuscripts housed at Ṣaḍbhuj Mahāprabhu temple
9	Advaitya Charan Goswami with manuscripts housed at Ṣaḍbhuj Mahāprabhu temple
10	Advaitya Charan Goswami with manuscripts housed at Ṣaḍbhuj Mahāprabhu temple
11	Advaitya Charan Goswami with manuscripts housed at Ṣaḍbhuj Mahāprabhu temple
12	Advaitya Charan Goswami with manuscripts housed at Ṣaḍbhuj Mahāprabhu temple
13	Akhandanand Sarasvati Mandir : Siva temple at the asram
14	Akhandanand Sarasvati Mandir : temple at the asram
15	Akṣay Navamī parikramā : walkers approaching Madan Mohan temple from the direction of Mathura
16	Anandamayi Ma Āśram : the temple and āśram
17	Anant Bāṃke Bihārī Mandir : a new temple with brightly painted facade
18	Anant Bāṃke Bihārī Mandir : a new temple with brightly painted facade
19	Bali Ram dancing at the Shore Temple in Mahabalipuram : Man king pose
20	Bali Ram dancing at the Shore Temple in Mahabalipuram