No.	Title	Date
1	19th century painting of the mahārāsa in the possession of Shah Gaursharan Gupta of Śāhjī temple
2	19th century painting of the mahārāsa in the possession of Shah Gaursharan Gupta of Śāhjī temple
3	Abhiṣeka at Rādhāramaṇ temple : the deity is bathed in large quantities of milk honey, curd (dahī), clarified butter (ghī) and sugar (śakkar) - a mixture called pañcāmṛta
4	Abhiṣeka at Rādhāramaṇ temple : the deity is bathed in large quantities of milk honey, curd (dahī), clarified butter (ghī) and sugar (śakkar) - a mixture called pañcāmṛta
5	Abhiṣeka at Rādhāramaṇ temple : the deity is bathed in large quantities of milk honey, curd (dahī), clarified butter (ghī) and sugar (śakkar) - a mixture called pañcāmṛta
6	Abhiṣeka at Rādhāramaṇ temple : the deity is bathed in large quantities of milk honey, curd (dahī), clarified butter (ghī) and sugar (śakkar) - a mixture called pañcāmṛta
7	Abhiṣeka at Rādhāramaṇ temple : the deity is bathed in large quantities of milk honey, curd (dahī), clarified butter (ghī) and sugar (śakkar) - a mixture called pañcāmṛta
8	Actor ready to go on stage
9	Actors and a nakkārā player during a nautaṃkī production of 'Rambhā-Śuka Saṃvāda'
10	Actors and a nakkārā player during a nautaṃkī production of 'Rambhā-Śuka Saṃvāda'
11	Actors and a nakkārā player during a nautaṃkī production of 'Rambhā-Śuka Saṃvāda'
12	Actors being dressed and made up for a performance
13	Actors being dressed and made up for a performance
14	Actors making each other up for the performance
15	Actors seated in a boat
16	Actors seated in a boat
17	Advaitya Charan Goswami with manuscripts housed at Ṣaḍbhuj Mahāprabhu temple
18	Advaitya Charan Goswami with manuscripts housed at Ṣaḍbhuj Mahāprabhu temple
19	Advaitya Charan Goswami with manuscripts housed at Ṣaḍbhuj Mahāprabhu temple
20	Advaitya Charan Goswami with manuscripts housed at Ṣaḍbhuj Mahāprabhu temple